Date: December 8th
Venue: Grieghallen, Bergen
Have you ever been so fortunate to be able to sit down on a 
concert with your favorite band? Without the pushing from people behind 
you, without people chattering in your ear while your favorite song is 
being played, and without the fear of your neighbour accidentally 
pouring beer on you while staggering to a tune? 
Yesterday I was in a venue meant for symphony orchestras, with 
fantastic acoustics, and very few really die hard fans present. During 
the first three songs I was sitting in my seat on 2nd row, taking in the
 fabulousness of 'Riches to rags', 'Not supposed to sing the blues' and 
'Firebox'. Enjoying perfect view to the stage, having perfect sound in my 
ear undisturbed by screaming or whistling (save from my own, I know, I'm
 a horrible person ) noticing the little things you don't notice when 
you're standing squeezed between screaming girls craving Joeys 
attention. Like the PERFECT lighting.... and every beautiful perfect 
note from each member of the band alike.
Then came 'Superstitious', and some girls in the front row stood up 
with their beer glasses and sang in front of the stage, trying to 
recreate the feeling of an 80s gig as I supposed they remembered it, or 
imagined it.
By the way, the top of the stage reached a bit over my knees. The 
band was sitting a way into it, not out on the edge, but it was just 
so... close. No fence between us.
Kneehigh stage!
The girls went back to their seats after Superstitious; one of the 
few songs they knew, had been played. Then came Scream of Anger. I was 
sitting and bouncing in my seat, singing along. Also, looking behind me 
there was another guy singing along. Interesting  I like that Europe's 
music has touched so many people, both inside and outside your group of 
die-hard fans.
The day before this gig I had been to another gig, in Stavanger, 
where the band, for the first time (for me) since releasing 'Last Look at
 Eden', DIDN'T play 'No Stone Unturned'. That was my first thought when 'The
 Final Countdown' intro announced the end of the Stavanger show. No 'No 
Stone Unturned'.
So in Bergen, when there came a keyboard interlude, after 
'Scream of Anger' had ended, I was sitting on the edge of my seat (sitting
 in my seat for five songs, I know a certain someone is gonna be 
mightily impressed when she reads this), holding my mobile phone ready 
to record video... Some nice oriental feel to the solo.... then came the
 announcing drum taps from Ian, and I can hear myself screaming on the 
mobile recording for a little while during the intro to 'No Stone 
Unturned'.... Then the screen goes black, as I hurry as politely and 
quitely as I can past the people sitting in my row, hurrying to come 
closer to the stage, to
Sit down on my knees, leaning my arms on the stage and close my eyes,
 just feeling the melody, the rhythm, the bass through my body and 
head.
And no one was coming to take me away from there. I sat there during 
the whole song, just sitting, with stars in my eyes and a stupid grin on
 my face, and some urge to start crying or laughing, but ending up 
just.... moaning? I don't know. It was so epic on a completely 
FANTABULOUS epic-scale.
So.. how did the band react to this? Well, I was a little bit afraid 
of being looked upon weirdly. Or get told off by a guard, or one of the 
people in the front row (but why would they tell me, off, when I was 
sitting, and they still had perfect vision?)
Next came 'Girl from Lebanon'... and then 'Demon Head'. I can't remember 
if I was sitting down or standing up, or dancing.. Cause sometime during
 the gig I was more standing and dancing (not rocking, dancing!) than 
sitting and absorbing. Did plenty of absorbation anyway. The sound was 
just so high class. The fact that the venue didn't budge with die hard 
fans was just so brilliant. Once I realized no one was gonna tell me off
 for being there, I tested it out by moving from the right side of the 
stage over the left (bent, so I wouldn't annoy the ones on the first 
rows)... then I sat looking at the fantastic band from the left side of 
the stage. John L was looking at me, and I could tell he was amused, but
 I didn't feel he was mocking me. I like to think he showed some kind of
 gratitude toward an enthusiastic and respectful fan.
It wasn't until the acoustic set began that I pulled out my cellphone
 to film some videos. I didn't film entire songs, I think that's a 
violation of sorts.. I just did short clips, one verse and one chorus of
 a song...
I just had to capture the feeling. Sitting on the floor on your 20th 
concert, enjoying the perfect vision, perfect sound... yeah yeah yeah.. I
 know you've heard it a thousand times by now
While I remember.. I was AWESTRUCK by the cool intro to 'The Beast'. 
That song really is brilliant live. All of the 'Last look at Eden' songs 
and 'Bag of Bones' - song are no less than brilliant live. Europe is such a 
PRO live band.
During one song, I'm not sure which, I was standing directly in front
 of the stage (if someone had crashed into me from behind I would have 
buckled forwards and landed head-and-stomach-first onto the stage, 
luckily, no one did). I know I wasn't coming on as anomynous (d'uh!), so
 I wasn't so surprised when Joey finally walked towards me. I had tried 
to hint that I really wanted his plectrum on several occasions... Joey 
can look really casual. But it still turns out he has a plan. So, he was
 walking towards the edge of the stage on a whim (I thought), and I 
stuck out my arm, wanting him to touch my hand. He took my hand, held 
it, and left his plectrum. I had NO idea that plectrum was there. I was 
so happy I could cry. Now my collection of plectrums was complete!
....for a few hours. I must have lost it when I showed it to someone 
afterwards... but both my Levén plectrums where still in my pocket.
Funny story about those plectrums. John kept tossing them out after 
the Final Countdown. Starting from the left side of stage aiming right, 
and towards me, so I hoped to catch one. One fell on the stage before me
 and there was some hussle between me and another girl to get it, I had 
both by knees up on stage, almost on all fours just to get it (caught up
 in the moment). I know he must have seen it, I making such a spectacle 
of myself. So then he knew I had one, right?
But I told you I had two...
John L proceeded towards me, plectrum in hand, holding it tightly and
 putting it firmly and purposely between my boobs. I was such giggling 
and laughing, having got the attention.
The audience eventually did get on their feet. It started for real with 'Carrie', 
then 'Sign of the times', then 'Rock the night', and then... you know.. THAT
 song
My 20th gig was just one of the most marvellous ever. Wish you all had been there
other bits of my memory...  
 Mic looking questioningly at the audience while asking "What do you want??" during Rock the night 
 Joey tossing one of his plectrums toward where JL stood... JL 
later picking it up, looking at it, then looking at Joey with a look of 
"what the fuq?"
Oh, by the way.... The local newspaper did an interview..
I'm putting this blog out because I've been following this band for nearly a decade. It's been ten years, out of 15 years listening to their music. I have gone from teenager to grown-up, and I still cherish the memories. I figured I'd have all the reviews in one place. Feel free to comment!
fredag 4. november 2016
Europe gig no.20 - December 8th 2012 - Bergen, Norway
Etiketter:
Bag of bones,
Europe,
Europe in Bergen,
Europe in Norway,
Europe the band,
Europetheband,
Grieghallen,
Ian Haugland,
Joey Tempest,
John Levén,
John Norum,
Mic Michaeli,
The final countdown
Plassering:
Bergen, Norway
Abonner på:
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